art
handmade felt air plant hangers and holders
ARt
flame-singed merino felt
2020
wool felt
2020
solid wool felt
20in. high
2017
Collaboration with Mina Akbari
19”x 37”x 4”
wool felt w/ silk fibers
2022
Collaboration with Mina Akbari
19”x 37”x 4”
wool felt w/ silk fibers
2022
Collaboration with Mina Akbari
19”x 37”x 4”
wool felt w/ silk fibers
2022
53”x 67”
wool felt w/ silk fiber, silk chiffon, silk dupion
2022
wool and silk chiffon
4ft. 5in. x 2ft. 10in.
2019
wool and silk chiffon
26in. x 31in.
2018
wool and silk chiffon
26in. x 29in.
2018
wool and silk chiffon
22in. x 29in.
2018
wool and silk chiffon with hamilton gold fringe
7in. x 18in.
2019
flame-singed wool felt
12in. x 96in.
2018
wool and silk chiffon
34in. x 18in. x 4in.
2019
wool and silk chiffon with brass fringe
12 in. x 18 in.
2019
Sometimes arranging the wool takes me days. I take off my glasses and stare at the blurred shades of color that I see, to better imagine how they’ll look “cooked.” When I’m satisfied, I begin dreading and then eventually really felting the fibers.
Feltmaking is situated between painting and sculpture. Even when working in flat formats felt is always three dimensional, and an understanding of the fibers’ movement through space is necessary to achieve accurate colors.
Rendering in this medium is like sculpting in polychrome—the colors mix like metamorphic rock. It is slow. It takes time to move organically, fiber by fiber, tangling ever tighter.
Sculpting with felt is a school in anatomy. I have to sculpt and resculpt a (solid felt) figure thousands of times before the wool forms a memory of my hands.
—Jo Hesse
Photos by John Polak Photography
and Zalina Babaeva